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Tony Cragg, one of the most influential sculptors of our time, has consistently redefined the boundaries of contemporary sculpture. Born in 1949 in Liverpool, Cragg’s work explores the dynamic interaction between materials, shapes, and meanings. Over the course of his five-decade career, his innovative approach has garnered international acclaim, including the prestigious Turner Prize.

In this exclusive interview, Cragg dives into his early influences, his fascination with science and geology, and how these elements have shaped his artistic vision.

Early Influences: From Geology to Art

His early exposure to geology provided Cragg with a foundation for manipulating physical materials in his art. He saw sculpture as a way to communicate deeper truths about the natural and man-made worlds.

“I’ve always been fascinated by the way the Earth forms and changes materials over time,” Cragg explains. “This understanding became crucial when I transitioned to sculpture, where I could experiment with form and push the physical limits of materials.”

The Power of Material: A Key Theme in Cragg’s Work

Cragg’s work is renowned for its use of diverse materials. Over the years, he has incorporated bronze, steel, wood, and even glass into his sculptures. Each material presents its own set of challenges, but Cragg sees these as opportunities for innovation rather than obstacles.

“Every material speaks differently,” Cragg says. “You don’t just impose a form onto a material; you need to have a dialogue with it. That’s what creates the tension, the life, in a sculpture.”

This approach is evident in his famous series “Early Forms” and “Rational Being,” where forms seem to grow organically, twisting and morphing in ways that challenge the viewer’s perception of materiality.

Science, Emotion, and the Meaning of Sculpture

Cragg often emphasizes the intellectual and emotional impact that sculpture can have. He sees sculpture not just as an artistic form but as a medium through which to explore the interaction between human perception and physical reality.

“Sculpture is about making sense of the world, not just visually, but emotionally and intellectually,” Cragg reflects. “I want my works to resonate on many levels, to provoke thought, and to challenge the way people see the world around them.”

His interest in science also plays a significant role in his process. Cragg explains that his scientific understanding of materials and forces allows him to manipulate them in new and innovative ways. In many ways, his work bridges the gap between art and science, creating sculptures that are both visually compelling and thought-provoking.

New Sculptures

Cragg’s latest exhibition, “New Sculptures,” demonstrates his continued evolution as an artist. In this new body of work, Cragg returns to his roots of experimenting with form, focusing on the interaction between man-made materials and the natural world.

“The new works are very much about form and the energy of shapes,” he says. “I’m still exploring how different materials can convey different emotions and ideas, but I’m also thinking more about how my sculptures interact with space and their surroundings.”

The exhibition showcases Cragg’s ongoing curiosity and willingness to push boundaries, proving that even after decades in the field, his creative spirit remains vibrant and undiminished.

Sculpture in Modern Culture: Cragg’s Broader Reflections

Beyond his personal practice, Cragg also reflects on the role of sculpture in modern culture. He believes that sculpture can offer insights into how the material world shapes our emotional and intellectual experiences.

“In modern society, we are constantly surrounded by objects and materials, but we often overlook how deeply they affect us. Sculpture makes us pause and think about those relationships,” Cragg notes.

For him, sculpture serves as a bridge between the material and the intangible, providing viewers with a new way of understanding the world around them.

Conclusion: Tony Cragg’s Enduring Influence on Contemporary Sculpture

Tony Cragg’s contributions to contemporary sculpture have left an indelible mark on the art world. His innovative use of materials, combined with his intellectual approach to form and meaning, continues to challenge and inspire viewers around the globe.

“All an artist is doing is taking the time and the reflection to see what forms can mean anything.”

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Alex Katz: A Master of Contemporary American Art and Printmaking

Alex Katz, born in Brooklyn, New York City in 1927, is a celebrated American artist known for his distinctive style that merges abstraction and realism. His work primarily focuses on portraiture, landscapes, and scenes of everyday life especially with his friends and wife Ada who is also his muse. Katz’s art, characterized by its bold colors, flat surfaces, and simplified forms, has made a significant impact on the world of contemporary art. In addition to his paintings, Katz is also highly regarded for his contributions to printmaking. His exhibition at Thaddaeus Ropac, 60 years of Printmaking, following his retrospective at the Guggenheim Museum in New York, is an occasion to explore this aspect of his work.

Early Life and Education: The Foundation of an Artist

Born to Russian immigrant parents, Katz was surrounded by creativity and perseverance from a young age. His father’s ability to thrive in competitive environments and his mother’s artistic background influenced Katz’s future path.

His introduction to art was informal, he recalls doing watercolors with his father and being influenced by modern art books such as the Bauhaus principles of Piet Mondrian.

Katz’s formal education in art began at the Cooper Union in New York City, where he enrolled after going to a trade school. His background in antique drawing and the pouncing technique (spolvero), which he learned during his teenage years, gave him a strong foundation that allowed him to excel in modern art studies. Katz’s time at Cooper Union enabled him to master the principles of Cubism and other modern art methods. He emerged as a top student, earning a scholarship to the prestigious Skowhegan School of Painting and Sculpture in Maine, where he discovered plein air painting and painted directly from nature. 

The Evolution of Katz’s Artistic Style

While everyone was doing abstract expressionist paintings, Katz turned to a blend of realism and modernism, characterized by flat, simplified forms and vibrant colors. Embracing the flatness and graphic quality, he  developed what would become his signature style. Katz’s portraits, particularly those of his wife, Ada, are some of his most iconic works. These portraits are known for their clarity and simplicity, capturing the essence of the subject with minimal detail.

Katz’s landscapes are equally important in his oeuvre. He often paints scenes from Maine, where he has spent much of his time. His landscapes, like his portraits, are characterized by their bold use of color and flatness, creating a sense of immediacy and directness. Katz’s work bridges the gap between abstract expressionism and pop art, making him a unique figure in the contemporary art world.x

Printmaking: A Crucial Medium for Katz

Printmaking has played a crucial role in Alex Katz artistic career. His interest in prints began in the 1950s, when he experimented with stencils. This exploration laid the groundwork for his later work in printmaking, particularly with silkscreen prints, which became popular in the 1960s.

Katz, emphasizes the importance of collaboration with skilled printers. He worked with several master printers, each contributing to the evolution of his technique and the quality of his prints. Katz admired printers who could take his ideas and elevate them, producing works that often exceeded his original vision.

Katz’s work with Aldo Crommelynck, a renowned printer who also worked with Pablo Picasso, is particularly noteworthy. Katz recalls how Crommelynck’s mastery of techniques like aquatint and his ability to push the boundaries of printmaking had a profound impact on his work. Katz also worked with other legendary printers, including Doris Simmelink and Hiroshi Kawanishi, who brought their own unique skills and sensibilities to Katz’s projects.

Katz’s Impact and Legacy

Katz has spent his life experimenting with different ways of representing reality, from the detailed antique drawings of his youth to the flat, simplified forms of his mature work. Katz’s work continues to be relevant, as he remains active in the art world, producing new work that resonates with both contemporary and traditional audiences. This ongoing exploration has kept his work fresh and innovative, ensuring his contributions to the history of art.

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Born in Senegal in 1985, Alioune Diagne had to overcome many obstacles to pursue his artistic passion. Despite limited access to culture in his youth, his precocious talent for drawing was recognized and encouraged by his teachers and those close to him. This recognition sowed the seeds of an artistic vocation that led him to follow his path to the École des Beaux-Arts in Dakar. Before representing Senegal at the Venice Biennale 2024, he presents Seede, his latest exhibition at Galerie Templon.

Alioune Diagne’s immersion in the art world was a decisive turning point, marked by an unwavering commitment to perfecting his art and creating a unique style. The loss of his grandfather, a beloved and respected figure, was the catalyst for a profound artistic evolution. Through his paintings, Alioune found a way to honor his grandfather’s memory by integrating elements of Arabic calligraphy and personal symbolism into his work. This artistic fusion of the abstract and the figurative has given rise to a distinctive style that captivates attention and provokes questioning: Figuro-abstro.

The artist’s thematic collections reflect his sensitivity to contemporary social and environmental issues. From Senegal’s collective memory to rural exodus and pollution, each series of paintings tells a poignant and engaging story.

Through his work, Alioune seeks to raise public awareness of realities that are often overlooked or ignored, such as the clandestine emigration of young Africans in search of a better future. His paintings act as silent witnesses to these struggles and hopes. Alioune Diagne’s quest for meaning and identity is evident in every brushstroke. His commitment to his art goes beyond mere aesthetic creation to become a means of giving voice to the voiceless and reminding the world of the challenges facing many communities.

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American artist Kenny Scharf, born in Hollywood in 1958, is recognized for his distinctive works in the realm of Pop Surrealism, often associated with the Lowbrow art movement. Currently, Scharf’s latest exhibition, Tout Suite, is on display at Galerie Almine Rech.

Scharf’s childhood Saturdays, shaped by the psychedelic lights of early color TVs, inspired his fascination with color. Influenced by iconic cartoons like The Flintstones and The Jetsons, he draws inspiration from the dualities of American suburban life portrayed in these animated series.

Initially aspiring to become a commercial artist specializing in album covers, Scharf’s artistic journey took a transformative turn during his studies in art history. The vibrant art scene of New York, echoing the spirit of Warhol’s Factory, convinced him that the heart of artistic expression beat in the city that never sleeps.

Accepted into the School of Visual Art, Scharf’s path intersected with influential figures like Jean-Michel Basquiat and Keith Haring. Introduced to street art by Basquiat, and exposed to the energetic East Village scene by Haring, Scharf’s artistic evolution veered away from formal education toward the dynamic city environment.

In the ’80s, Scharf’s distinctive, accessible style garnered widespread acclaim. Emulating Haring, he embraced diverse mediums, marketing his art on T-shirts and various objects to make it universally accessible. To Scharf, art, like music, should be appreciated on multiple levels, from visual pleasure to a profound understanding of the message embedded in the canvas.

Tout Suite, Scharf’s latest exhibition, takes a poignant turn as it delves into environmental urgency and climate change. Through his signature brightly-colored icons, he not only raises awareness but also invites the audience to engage with the playful joy emanating from his canvases and sculptures. Explore the world of Kenny Scharf, where art becomes a medium for both enjoyment and introspection.

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Robin Kid is a versatile Dutch artist born in 1991, excelling in ballpoint pen drawings, oil and tempera paintings, hyper-realistic silicone and bronze sculptures, and captivating installations. His latest exhibition, “Kingdom of Ends,” is on display at Galerie Templon from September 2 to October 21, 2023.

Growing up under the care of his grandparents in a mining community, Robin Kid displayed a remarkable flair for creativity from an early age. Despite his solitary upbringing, he ingeniously constructed imaginative worlds using a treasure trove of objects and toys discovered in his attic, drawing inspiration from TV series and films. His meticulous attention to detail and a talent for crafting immersive experiences permeate his creative pursuits.

As a self-taught artist who left formal education during his teenage years, Kid’s unquenchable thirst for artistic expression led him to explore various techniques independently. His learning journey often involves delving into books or online tutorials, allowing him to master intricate processes. For hyper-realistic sculptures, he immerses himself in the techniques of acclaimed artists like Ron Mueck, Maurizio Cattelan, and Duane Hanson, experimenting with materials and honing his craft.

Robin Kid’s artistic narrative is deeply intertwined with pop culture, particularly the childlike and adolescent realms portrayed in American television. He emerges as a distinctive voice of his generation, shaped by the alternate realities of TV shows where stories conclude optimistically, mirroring the ideals and values of his upbringing. However, his recent exhibitions, like “It’s All Your Fault,” reveal his disillusionment with the hollow promises of the American Dream.

In “Kingdom of Ends,” Robin Kid skillfully appropriates the symbols of mass culture and advertising, creating an immersive theme park experience. These familiar icons, emphasizing universal beauty and kindness, take on new dimensions with the incorporation of objects such as axes and baseball bats. Drawing inspiration from artists like Robert Rauschenberg, Jim Dine, and the German Capitalist Realism movement, his artworks resemble children’s toys or ensembles that provoke introspection among adults.

“Kingdom of Ends” offers an exhibition that blends the enchantment of Walt Disney with the unsettling reality akin to Chris Cunningham’s creations. Kid invites viewers to peek behind the spectacle of contemporary mass culture, social media, round-the-clock news, and the burdens of an uncertain future that weigh heavily on his generation.