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American artist Kenny Scharf, born in Hollywood in 1958, is recognized for his distinctive works in the realm of Pop Surrealism, often associated with the Lowbrow art movement. Currently, Scharf’s latest exhibition, Tout Suite, is on display at Galerie Almine Rech.

Scharf’s childhood Saturdays, shaped by the psychedelic lights of early color TVs, inspired his fascination with color. Influenced by iconic cartoons like The Flintstones and The Jetsons, he draws inspiration from the dualities of American suburban life portrayed in these animated series.

Initially aspiring to become a commercial artist specializing in album covers, Scharf’s artistic journey took a transformative turn during his studies in art history. The vibrant art scene of New York, echoing the spirit of Warhol’s Factory, convinced him that the heart of artistic expression beat in the city that never sleeps.

Accepted into the School of Visual Art, Scharf’s path intersected with influential figures like Jean-Michel Basquiat and Keith Haring. Introduced to street art by Basquiat, and exposed to the energetic East Village scene by Haring, Scharf’s artistic evolution veered away from formal education toward the dynamic city environment.

In the ’80s, Scharf’s distinctive, accessible style garnered widespread acclaim. Emulating Haring, he embraced diverse mediums, marketing his art on T-shirts and various objects to make it universally accessible. To Scharf, art, like music, should be appreciated on multiple levels, from visual pleasure to a profound understanding of the message embedded in the canvas.

Tout Suite, Scharf’s latest exhibition, takes a poignant turn as it delves into environmental urgency and climate change. Through his signature brightly-colored icons, he not only raises awareness but also invites the audience to engage with the playful joy emanating from his canvases and sculptures. Explore the world of Kenny Scharf, where art becomes a medium for both enjoyment and introspection.

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Augustine Kofie définit ce qu’est pour lui un jeune artiste et le travail qu’il doit accomplir. Depuis ses premières commandes, la première exposition à la Zero One Gallery qui a tout fait basculé jusqu’à l’artiste qu’il est devenu aujourd’hui, c’est en autodidacte qu’il s’est construit. Il partage enfin ses envies et l’évolution qu’il souhaite donner à son travail.

Augustine Kofie defines what a young artist is for him and the work he has to accomplish. Since his first commissions, the first exposure to the Zero One Gallery that changed everything to the artist he has become today, he built himself as a self-taught artist. He finally shares his desires and the evolution he wants to give to his work.